Arturia KeyLab 61 MKII In-Depth ReviewArturia has been around since 1999; albeit the fledgling company didn’t achieve any great success right away. It took a few years, but in 2003, things began to change dramatically for the French company when they released their first emulations of some best-loved classic synthesizers in VST plug-in format. Said emulations were coined “The V Collection” (V obviating the term, vintage). As time passed, and subsequent product revisions ensued, Arturia’s reputation grew, as did their V Collection; what, with its current iteration numbering 25 vintage synths, e-pianos, pianos and even a Mellotron (as of June, 2019). Moreover, Arturia has continued to refine and improve its TAE® (True Analog Emulation) technology.
Although Arturia’s software developments have generally been well-received, the company wasn’t content to focus solely on that side of the equation so in 2009, they made available their first hardware synthesizer, “The Origin”. Since that time, Arturia has continued to produce a respectable catalogue of hardware pieces including “Mini Brute”, “MicroBrute”, “BeatStep”, “MatrixBrute”, “AudioFuse”, and many others. Consistently, each of Arturia’s hardware offerings has proven itself to be solidly built and well-outfitted with ample functionality and plentiful accoutrements.
Our present investigation spotlights one of these: The KeyLab 61 MK II. This little darling rings the till at a moderate street price of $499 - $549 (USD) / $649 (CAD) in most retail shops. The unit I received is a black model (which I personally prefer), but of course, the KeyLab MK II series is also available in Arturia’s recognizable white carriage. Ensuring that even a first-time customer will be able to enjoy this delightful keyboard controller at its finest, Arturia has included full version licenses of Analog Lab 4 and Piano V 2. Analog Lab is a heaping compendium of Arturia’s entire V Collection, providing approximately 8000 presets culled from the entire caboodle. Piano V 2 is a collection of 12 modelled pianos comprising uprights, grands, and even a couple of unique theorems that marry traditional designs with imaginary metallic and glass cabinetry.
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Arturia Producer Pack 61 – Part III: Mini V Review
** VOTRE ATTENTION, S'il Vous Plait!
This review is lengthy and quite broad in scope. The Producer Pack 61 has so much "packed" into it that in order to do it justice, our report is split into four individual segments.
Cresting the ‘Everest’ of popularity resultant from their industry-changing virtual analog emulations of the Moog “Modular” and the prolific Yamaha “CS-80”, Arturia brazenly undertook the impossible – incredulously, they accurately modeled the Minimoog! Furthermore, Arturia not only veraciously cast the original instrument’s circuitry, filter modes, tonal characteristics, and etcetera, but they expanded the feature-set and value of their digital emulation exponentially.
Arturia’s (Officially Moog-licensed) digital reproduction encapsulates the breadth of “Minimoog Model D” greatness. They’ve also revived the time-honored classic to be a modern, powerful appliance of synthesizer enormity, capable of maintaining a position of credibility on the digital compass. Many contemporary synthesizers retail at prices ranging from $149 to over $200. At the time of this publication, “Mini V” sees its list price marked at only $99 (USD). In keeping with the situation of this multi-part review, it’s most gratifying that Arturia have kindly included it as part of the Producer Pack 61 bundle. Arturia Producer Pack 61 Review - Part II
** VOTRE ATTENTION, S'il Vous Plait!
This review is lengthy and quite broad in scope. The Producer Pack 61 has so much "packed" into it that in order to do it justice, our report is split into four individual segments.
[ Analog Lab ]
Arturia’s “Analog Lab” could very well be one of the audio-production community’s best kept secrets – all while being ‘wide open’ to the public. *Yes, that was a deliberate use of an oxymoron. Please, let me explain. Although most synth lovers are familiar with Arturia’s pedigree, there remains those whom have not yet actually experienced the products for themselves. Generally speaking, home producers fall in to one of two camps: those who like to tweak relentlessly, and those who just want great sounds with minimal muss n’ fuss. Analog Lab is perfectly suited to the latter group. While adjustments can be effected, per preset, to the more mainline operations, deep editing is eschewed for the sake of convenience. On a side note, if a user has a *full* edition of one or more Arturia V synth(s), then he/she can open that particular module directly within Analog Lab and tweak to their heart’s content. Analog Lab now contains about 6000 patches culled from the complete Arturia V Collection of virtual analogue synths. At the time of this publication, the following are included: Software Inspection:
The most immediate advantage that “Analog Lab” presents is that you get the complete collection of Arturia's virtual analogue synth engines within a streamlined, easy-to-use package. The cherry on top is that It can be had at a fraction of the cost of its full-featured “V Collection” brethren. This is Arturia’s congenial, cost-effective option for value-conscious and/or non-tweakers to gain entry into the domain of Arturia's mighty synthdom. Ridiculously priced at only $89 (USD), it really is one of those items that you'll want to grab in a hurry while an accomplice "keeps the car running".
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